"Secondhand accounts can ruin someone's reputation as much as malicious rumors. Therefore, I feel it is time to set the record straight.
In early April of 1974, I had the following conversation with
Edith Head in her bungalow on the
Universal Studio lot while we looked at a rack of costumes she was going through to select garments for her
Vogue fashion shows.
She pulled from the rack a crumpled and sagging black dress, and examined it.
I stared at the dress, recognizing it immediately. "That's the infamous
Sabrina dress,
non?"
"No! It's the muslin [first-fitting dress], although it's made in rayon taffeta. See the peplum here? I did away with it when I finalized its look."
"But, by all the accounts I have heard, didn't
Givenchy make it?"
"Ha," retorted Edith, "that story has been circulating for years, thanks to Miss
Hepburn."
"But why?"

"So she could gain his favour, I suppose, and get clothes free." She paused and fluffed up the skirt. "During preproduction for
Sabrina, she was in
San Francisco touring with Gigi, and had no time to come to
Hollywood for a meeting. So, once more, I went to see her like I did for
Roman Holiday, when she was performing in
New York. She was pleasant enough, but very tenacious in her taste. Her manner remained aloof, although somewhat sad and unhappy. She smiled only when it was necessary.

I was beginning to believe the rumors I had heard of how some journalists and other actors regarded her as being self-absorbed. And I realized that any confidence I had built up with her before, now carried little weight. She handed me a croquis, a rough sketch similar to the quick ones I had shown her originally for
Roman Holiday, and said she had made it while viewing
Givenchy's runway show in
Paris. Years later, I learned she had gained access to the showing giving the name 'Miss Hepburn.' As she was hardly known at the time since
Roman Holiday hadn't yet been released, Givenchy thought it was
Katharine Hepburn. The sketch of this dress and several others she pulled forth were the costumes she wanted for
Sabrina." -
Jean-Pierre Dorléac,
Emmy-winning
Hollywood costume designer who was mentored by the legendary
Edith Head.
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