Theory Of Love Review (TOL): Episode 2

TOL Ep 2 is an improvement on Ep 1, and for me, it's because Kai's clumsiness has given way to Off's considerable charms; and rather than the fleeting scenes, Off's characteristic appeal is given the emphasis it needs to give Third's longing for him meaning.

I'm surprised at how swiftly the producers have introduced the teasing foreshadowing that Kai would love Third back -- but I suppose that's really a blessing in a series of 13 episodes. And those doormat scenes of Third endlessly crying perfect, photogenic tears can become rather repetitive -- we get the drift, get going already!

This episode also develops the characters of Too and Bone giving the skeletal plot a bit of body, much-needed flesh and blood. As mentioned previously, White is a surprisingly sincere actor, and gives his "best friend" role a grounded warmth. Third confessing his three-year obsession with Kai to Too is so heartfelt, you feel the comfort a good friend can offer in the several scenes they have together in this episode. Of course, Too's efforts to set KaiThird up, and his enthusiastic support of Third's romantic feeling for a friend, is pure BL trope (in other words: wishful thinking). But yes, White is wonderfully watchable as Too, and I can watch that scene of White marching in the stadium endlessly -- it's pricelessly silly, and will cheer up your dullest day!

I'm also fixated on the blink-and-miss cameo of (Bom? Bomb?) OffGun's transgender minder playing the security officer chasing Third from the stands. Her thick bun of hair wobbles and her officer's cap just about falls off. It's Hilarious!

This scene is also notable for the dreamy Kai beaming away sunnily at the above-mentioned chase -- he's so cute you want to squeal -- a bookend scene for the slo-mo ping pong playing scene in terms of dreaminess and completely says it all about Kai's appeal.

Un (Earth), Kai's romantic rival, is introduced as the rival campus stud -- who has an attachment to Third. Poor Earth! He doesn't stand a chance, does he? The hair's all wrong and he's always rather a hit-and-miss for me -- he's all body, if you know what I mean. Earth with clothes has no meaning at all.

Kai starts to flirt meaninglessly with Third: Recording the sound of crickets in a moonlit park, to finally going on a movie date (Off in full boyfriend mode), to what will become a classic most-shared scene when Kai, with his face all sex and seduction, says to Third that everyone would fall in love with Third; to when Third is flash-carding his confession at Kai's door and Kai willfully misconstrues Third. Why is Kai doing this (and looking so meltingly beautiful while being cruel)? Why do straight men do things like that -- it's one of those mysteries that never would be solved (and then they lose all their power). You can feel Third capsize in the undertow of lust and confusion. He falls deeper.

Bone's (Mike Chinnarat of the ears) room is a mess, and is the only one who seems to live outside of an Ikea catelogue. I mean, Kai's apartment looks palatial in contrast, I suppose adding to his appeal. Third is like Elizabeth Bennet -- she's going to marry up! Bone is also the only one of the four friends who has to work (in a cafe) after school. Bone's love interest turns up -- I swear I see his ear wiggle -- in the manner of a scene from Notting Hill; Unfortunately, she's the unlikeliest of girls for Bone -- she's quite a matured actress, isn't she, and rather thin than pretty. This bit of casting is a bit of mystery -- never mind her looks: the chemistry is nil to negative.

So things are clipping along and I'm looking forward to Episode 3, aren't you?

Theory Of Love Review (TOL): Episode 1

Episode 1 begins on a good note: Charming and pretty to look at, the pace bounces pleasantly along. As BL productions go, TOL looks superior in production value -- everything is polished eye candy -- the sets are pretty, the hair is fluffy, the clothes are beyond trendy, so the stage is set for pure escapist fluff of the highest quality.

Its intentions are made clear too, with the tone of the direction sliding towards the great British RomComs of the 2000s, which it actually quotes rather literally. TOL is about four film-school students after all!

Except Off Jumpol (Tumcial) isn't actually the Hugh Grant of Thai TV and that's immediately apparent in a sketchy and uneven performance as Kai, the campus cad. It's an uneasy and self-conscious performance that makes Off an uncomfortable watch, and impossible to imagine as the homme fatale that Khai is meant to be.

Off's Kai is skittish and eccentric -- not qualities to make girls swoon as they must, and as they do in real life. Off is swoonsome as himself -- pure husband material, unexpectedly deserving of the worship he gets.

But his Kai feels strangely sexless, even though he wears most of Off's own clothes (sheep in wolf's clothing?) -- with the addition of the bike that is so at odds with his wardrobe of wafty pants and Goyard purses, that the character immediately feels untrue. Off would never skip and dance around a girl as Khai does, disconcertingly.

The real Off would fit this role perfectly -- but I suppose this rather camp portrayal is some sort of lame effort to separate Khai from Off, and also Khai from Pick (Off's role from Pubby Honey Secret Love) which is something that has to be done, since Off/Khai/Pick are hard to differentiate.

A few brief scenes make sense of Off's appeal -- he's that figure in the background of a movie review that catches the eye (how can one help it!) and the scene when Khai is playing ping pong in slo-mo -- you fall in love with him just as Third/Gun would. However these scenes are brief -- mostly you see Khai painfully obnoxious, without one redeeming feature.

Ears looking at you kid: Once you see Mike's ears, you can't unsee them.

Gun is a revelation as Third; He's a wonderfully transparent actor and one feels for him, with or without the plot. However, did they have to make Third such a doormat? He lost me when he was rooting around the bin for Khai's girlfriend's (Milk) things. No one can be so downtrodden, however besotted, and Third has loved Khai for three years! It's not a positive portrayal and furthers the uke stereotype, which isn't helpful nor interesting.

Which brings me back to the point that Third's obsession would feel empathetic had they made Khai more obviously lovable or even realistic -- not this insubstantial good-for-nothing. Give us a reason to love Khai as Third does -- make him an incredible sportsman, or a brilliant filmmaker or something -- not this tedious, childish impersonation of a stud. Give us Off, in other words.

White (of Love Sick fame) makes his mark as a surprisingly convincing actor as Too, so that's a hit of surprise right there in an episode that feels flat and predictable, pretty as the thing looks. (To round off mention of the main four of this series I have to say that Mike's ears are distractingly big!)

OffGun's celebrated chemistry is always watchable -- this deserves its own post for later so that's a positive to cling on to until the dust settles (hopefully) and they get the star vehicle that these two amazingly hardworking and dedicated actors justly deserve.

MY BROMANCE THE SERIES - REVIEW OF EPISODES 01-04

I'm basically watching this BL lakorn almost entirely because of Cooper Patpasit (he plays the lead role Golf). He isn't classically handsome, in fact, there's something simian about his features, but what an extremely sexy young man! And the fact that he can act actually makes the four episodes watchable; His acting holds up large swathes of this somewhat plodding drama, and his presence and charm make him a budding star.

Cooper with his lovely long, lean torso

This 20 year old isn't pretty-pretty but he makes up for it with a 20 year old's nubile, athletic build, an asset that was quickly showcased in the diving scene way up in the debut episode - and then again and again - which makes My Bromance captivating and exciting to watch - and yes, a bit more adult (than let's say Make It Right), if only marginally so.
I think this series treads the middle ground between Grey Rainbow, which was thoughtful and thought-provoking, and the pure tooth-rotting fluff of Make It Right. My Bromance doesn't have the depth of the former, no philosophical or religious basis, nor is it entirely devoid of realistic detail like the latter. What it has is plenty of family drama that at times feels totally unnecessary, and diffuses the buildup of the love between its leads.
I think the makers have mistaken a convoluted family structure for depth - it's not profound or complex, merely tedious and confusing. For instance to have Golf's mother have a twin sister who lives with Golf. Why twin? Why not just a sister who could be played by some other actress, not the same actress that doubles up as Golf's mother? Then Golf's mother is a manic depressive, who commits suicide, after fighting with her husband over a non-existent mistress. The father is also sick - there are scenes of him being attended to in hospital - overall there's a heavy sense of illness hanging in the air that forebodes tragedy - so no fluff here.
Now, the aunt also has a rather shrill daughter who lives under the same roof as Golf and acts like a sister, but isn't, She doesn't have a father. There's drama over the house which has to be sold, etc and so forth and it goes on and on. It certainly doesn't help that even the flashbacks aren't told chronologically but flash back and forth, with repeats.

Does one need to watch a tapir fall in love?

The casting of Kaii is also hugely problematic for me - firstly, Kaii is physically not as attractive as he should be. I'm trying to reach for a polite way to say that he looks like a baby tapir but I can only go so far as to say Kaii is not slim. The face isn't even agreeable, and the beaky nose and sly eyes make him look devious and scheming when he needs to look vulnerable. I don't know what he has done to deserve this plum role - but it certainly isn't his acting ability. The role cries out for Oat or Min Thitipat of Love Sick, someone with a bit of fragility and innocence.

His looks and appeal are cruelly brought into focus by having his character be a magnet to no less than three suitors - the series opens with one American suitor proposing marriage to him; Jaguar plays the student council that courts him in school; then there's Golf. All three are very attractive alpha types, making it unlikely that any of them, not to mention all of them, falling for Kaii.
And all this could be overlooked if there was even one jot of chemistry between Cooper and Kaii - alas not a quiver of chemistry. Zero. Zilch.
Cooper might as well be making love to a particularly lumpen body pillow for the total lack of electricity.

SPRING 2017 MENSWEAR: LONDON REVIEW

Three of the best at the on-going London shows:

J W Anderson

Whimsical, joyful and relevant in these rather depressed, cynical times - a jolt of inspiration.

Margaret Howell 

Elegant, thoughtful, desirable clothes with hidden wells of sensuality. Cuts out the social media noise instantly and suddenly you see, and think, clearly.

E Tautz

Rumpled academic meets Talking Heads - more deliciously desirable clothes that will stand the test of time.

MAKE IT RIGHT THE SERIES - REVIEW

I hadn't planned on being hooked to Make It Right The Series (MIR), because its trailers had promised a formulaic follow-up to the hugely successful (and iconic) Love Sick The Series (LS) which ended last year (also by Thailand's Mcot Station). As predicted, MIR has hewed lazily to the boys' love genre conventions, casting a few extremely pretty boys to enact what is less of a plot than a trail of tropes: Confused Uke (Fuse) ensnaring Passionate Seme (Tee); Nerd (Book) falling for Younger Flirt (Frame); Out&Proud converting Straight-for-Now, and in these combos, throw in some third parties (in Thai, these are called "third wheels"); and then stir in a few disposable girls into a sweetly fluffy meringue of a story (MIR, like LS is adapted from a Thai online novel). 

After watching the first four episodes (subtitled in English by fans), I can assure you that the story is just as twig-thin as any of the cast's scrawny arms. It's hard not to compare MIR with LS, as the two are almost identical - I would go so far as to say that MIR is the production team's attempt at getting LS right, ironing out some of its wrinkles and creases and smoothing out the edges (for instance, they made MIR a lot more racy, with sex in Ep 1, and lots of skin - whereas LS muddled along and it wasn't till towards the end of Season 1 before Noh and Phun actually got down to business). However, because of its similar territory, MIR suffers in comparison, possibly because it comes later, and thus carries the weight of having few/no surprises/ novelties. It's obviously mining a formula (as many are doing - even the recent Chinese webseries Addiction was inspired by LS) that had proven successful - I hope that I will be proven wrong in due course with a compelling twist or two - but I'm not holding my breath.

Of course what's really working, and credit should be given where it's due, is the excellent casting as usual. The four main leads (plus quite a few more in the supporting cast) are spot-on heartbreakers (but then Thailand is like a factory that keeps churning impossibly cute boys out - I need to take out all my savings and move there pronto!) that give MIR its sparkle and life. Again, this is like LS - you don't really watch it for the plot, but for those coyly seductive moments and intense looks of longing that only the really young can carry off - that's the heavy lifting there. The rest is merely working out the various moments/situations where Peak, 16 (as Fuse), Boom, 15 (as Tee), Ohm 15 (as Frame) and Toey, 20 (as Book) these looks can dart those deadly stares into the camera or wrap their nubile limbs fetchingly around each other. For now, Tee has emerged the real star - he's like the new Captain isn't he? Tee represents a new type, very Chinese-looking with the most sculpted of noses and full juicy lips. 

I think fans are watching because MIR fills the void that LS left - it's a pale shadow of LS, but it's a familiar shadow. MIR has to make it on its own merits to matter, and to prevent any more comparisons to LS.