MAKE IT RIGHT THE SERIES - REVIEW

I hadn't planned on being hooked to Make It Right The Series (MIR), because its trailers had promised a formulaic follow-up to the hugely successful (and iconic) Love Sick The Series (LS) which ended last year (also by Thailand's Mcot Station). As predicted, MIR has hewed lazily to the boys' love genre conventions, casting a few extremely pretty boys to enact what is less of a plot than a trail of tropes: Confused Uke (Fuse) ensnaring Passionate Seme (Tee); Nerd (Book) falling for Younger Flirt (Frame); Out&Proud converting Straight-for-Now, and in these combos, throw in some third parties (in Thai, these are called "third wheels"); and then stir in a few disposable girls into a sweetly fluffy meringue of a story (MIR, like LS is adapted from a Thai online novel). 

After watching the first four episodes (subtitled in English by fans), I can assure you that the story is just as twig-thin as any of the cast's scrawny arms. It's hard not to compare MIR with LS, as the two are almost identical - I would go so far as to say that MIR is the production team's attempt at getting LS right, ironing out some of its wrinkles and creases and smoothing out the edges (for instance, they made MIR a lot more racy, with sex in Ep 1, and lots of skin - whereas LS muddled along and it wasn't till towards the end of Season 1 before Noh and Phun actually got down to business). However, because of its similar territory, MIR suffers in comparison, possibly because it comes later, and thus carries the weight of having few/no surprises/ novelties. It's obviously mining a formula (as many are doing - even the recent Chinese webseries Addiction was inspired by LS) that had proven successful - I hope that I will be proven wrong in due course with a compelling twist or two - but I'm not holding my breath.

Of course what's really working, and credit should be given where it's due, is the excellent casting as usual. The four main leads (plus quite a few more in the supporting cast) are spot-on heartbreakers (but then Thailand is like a factory that keeps churning impossibly cute boys out - I need to take out all my savings and move there pronto!) that give MIR its sparkle and life. Again, this is like LS - you don't really watch it for the plot, but for those coyly seductive moments and intense looks of longing that only the really young can carry off - that's the heavy lifting there. The rest is merely working out the various moments/situations where Peak, 16 (as Fuse), Boom, 15 (as Tee), Ohm 15 (as Frame) and Toey, 20 (as Book) these looks can dart those deadly stares into the camera or wrap their nubile limbs fetchingly around each other. For now, Tee has emerged the real star - he's like the new Captain isn't he? Tee represents a new type, very Chinese-looking with the most sculpted of noses and full juicy lips. 

I think fans are watching because MIR fills the void that LS left - it's a pale shadow of LS, but it's a familiar shadow. MIR has to make it on its own merits to matter, and to prevent any more comparisons to LS. 

Spring 2016 Review: TOUGH AND TENDER LOVE

And three’s a trend: the rough with the smooth at Burberry Prorsum, Calvin Klein Collection and J W Anderson. By Daniel Goh

For 2016, the traditionally pretty Spring season is shaping up to be full of challenging concepts. One of the most important trends is for the uncompromisingly unpretty, even in the slightest and most delicate items.

Tough and Tender 1

Calvin Klein Collection:

An example of this is the Calvin Klein slipdress – a hallmark item at this label, the 1990s slipdress has undergone a rethink by designer Francisco Costa to become something a lot more intellectual, with its waft and tenderness undercut by gashes hanging and straps flying, uneven hems and unseductive slits. The severe and violent vibe goes on in the intellectual (though fluid) suits (look 22), the destroyed black dresses (look 28) and knits (look 29). Softness is always served with a side of aggression, sweaters have holes and are clawed to shreds, cuts and slits mark gowns.

In this collection, the ambiguous hard/soft contrasts of leather with silk in the same colour is an ambiguity that throws you off and makes you uneasy. The palette is severe and even the floral prints look unsweet, abstract and almost cosmic.

HE SAID SHE SAID: THE BEST CELEBRITY QUOTE IN 2014

“I no longer have patience for certain things, not because I’ve become arrogant, but simply because I've reached a point in my life where I do not want to waste more time with what displeases me or hurts me. I have no patience for cynicism, excessive criticism and demands of any nature. I lost the will to please those who do not like me, to love those who do not love me and to smile at those who do not want to smile at me. I no longer spend a single minute on those who lie or want to manipulate. I decided not to coexist anymore with pretense, hypocrisy, dishonesty and cheap praise. 
I do not tolerate selective erudition nor academic arrogance. I do not adjust to popular gossiping. I hate conflict and comparisons. I believe in a world of opposites and that’s why I avoid people with rigid and inflexible personalities. In friendship, I dislike the lack of loyalty and betrayal. I do not get along with those who do not know how to give a compliment or a word of encouragement. Exaggerations bore me and I have difficulty accepting those who do not like animals. And on top of everything, I have no patience for anyone who does not deserve my patience.” – Meryl Streep

Brad Pitt in Chanel No 5 advert

Those who are determined to be kind, or merely politically correct, will focus on the millions of dollars that Mrs Jolie has earned to make and market this commercial. I'm not one of those. I'm a fan of Chanel perfumes and their iconic commercials, of which there have been some fine ones over the years - but this one I find a right howler. Whatever Mrs Jolie's making is too, too much for something so crushingly dull and inane. It's no mean feat to be so boring in the short 30 second film (and I suppose that is a talent in itself). But unless you're an orphan waiting to join the Jolie household, you will be quite bored, click on the the video and yawn for yourself? Wasn't Mrs Jolie once the hottest cameo alive circa Thelma and Louise? At which point did he degenerate into this leaden, crusty number in the Jolie entourage? Did Jennifer Aniston have something to do with it? Not only does this commercial not add to, or explain Mrs Jolie's appeal, it hardly adds anything to the mystique of the planet's best-selling perfume. 

How I miss the signature jazz tunes of the classic Chanel ads and the iconic beauties. My all-time favourite has to be the Ridley Scott one starring Carole Bouquet.  Now that's a commercial!