11 June 2019

Theory Of Love Review (TOL): Episode 1

Episode 1 begins on a good note: Charming and pretty to look at, the pace bounces pleasantly along. As BL productions go, TOL looks superior in production value -- everything is polished eye candy -- the sets are pretty, the hair is fluffy, the clothes are beyond trendy, so the stage is set for pure escapist fluff of the highest quality.

Its intentions are made clear too, with the tone of the direction sliding towards the great British RomComs of the 2000s, which it actually quotes rather literally. TOL is about four film-school students after all!

Except Off Jumpol (Tumcial) isn't actually the Hugh Grant of Thai TV and that's immediately apparent in a sketchy and uneven performance as Kai, the campus cad. It's an uneasy and self-conscious performance that makes Off an uncomfortable watch, and impossible to imagine as the homme fatale that Khai is meant to be.

Off's Kai is skittish and eccentric -- not qualities to make girls swoon as they must, and as they do in real life. Off is swoonsome as himself -- pure husband material, unexpectedly deserving of the worship he gets.

But his Kai feels strangely sexless, even though he wears most of Off's own clothes (sheep in wolf's clothing?) -- with the addition of the bike that is so at odds with his wardrobe of wafty pants and Goyard purses, that the character immediately feels untrue. Off would never skip and dance around a girl as Khai does, disconcertingly.

The real Off would fit this role perfectly -- but I suppose this rather camp portrayal is some sort of lame effort to separate Khai from Off, and also Khai from Pick (Off's role from Pubby Honey Secret Love) which is something that has to be done, since Off/Khai/Pick are hard to differentiate.

A few brief scenes make sense of Off's appeal -- he's that figure in the background of a movie review that catches the eye (how can one help it!) and the scene when Khai is playing ping pong in slo-mo -- you fall in love with him just as Third/Gun would. However these scenes are brief -- mostly you see Khai painfully obnoxious, without one redeeming feature.
Ears looking at you kid: Once you see Mike's ears, you can't unsee them.

Gun is a revelation as Third; He's a wonderfully transparent actor and one feels for him, with or without the plot. However, did they have to make Third such a doormat? He lost me when he was rooting around the bin for Khai's girlfriend's (Milk) things. No one can be so downtrodden, however besotted, and Third has loved Khai for three years! It's not a positive portrayal and furthers the uke stereotype, which isn't helpful nor interesting.

Which brings me back to the point that Third's obsession would feel empathetic had they made Khai more obviously lovable or even realistic -- not this insubstantial good-for-nothing. Give us a reason to love Khai as Third does -- make him an incredible sportsman, or a brilliant filmmaker or something -- not this tedious, childish impersonation of a stud. Give us Off, in other words.

White (of Love Sick fame) makes his mark as a surprisingly convincing actor as Too, so that's a hit of surprise right there in an episode that feels flat and predictable, pretty as the thing looks. (To round off mention of the main four of this series I have to say that Mike's ears are distractingly big!)

OffGun's celebrated chemistry is always watchable -- this deserves its own post for later so that's a positive to cling on to until the dust settles (hopefully) and they get the star vehicle that these two amazingly hardworking and dedicated actors justly deserve.




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