 "Hollywood is loneliness beside the swimming pool." - Liv Ullman
"Hollywood is loneliness beside the swimming pool." - Liv UllmanDay Pool With Three Blues, David Hockney, 1978



 Something else for you beauty junkies to watch out for: The PBS documentary The Powder and The Glory, such a brilliant title, about the arch rivalry between the beauty business icons Helena Rubinstein (Jewish) and Elizabeth Arden (Canadian). It's also about the history of the beauty business, which today is worth US$175 billion. Yes, that's how much your insecurities are worth. It's not cheap being pretty!
Something else for you beauty junkies to watch out for: The PBS documentary The Powder and The Glory, such a brilliant title, about the arch rivalry between the beauty business icons Helena Rubinstein (Jewish) and Elizabeth Arden (Canadian). It's also about the history of the beauty business, which today is worth US$175 billion. Yes, that's how much your insecurities are worth. It's not cheap being pretty!
 It became dark as night that Sunday at the Singapore Botanic Gardens, and suddenly there was no one about and the rain, which started as a sudden silence, and gusts of cold wind that smelled of mud and river and old eternal things, pelted down through the rain trees. We ran into the gazebo with our coffee, snatching our paintings first and the paints after, and bent over, mopping our things with tissue paper, and our paint spotted rags, and laughing and wondering where the others might be, getting wet?- or dry like us? - with our half-drunk after-lunch coffee. Then we settled companionably down to enjoy the thunderstorm and tried to paint in the trees, and the grass and earth, trying to remember the effect of the sun, just a few moments ago. D leaned over and using the corner of his T-shirt sleeve wiped a smear of oil paint from my lip. He smelt loamy like the rain, like the roots of plant freshly pulled from the earth. We tried to imagine the details of the landscape, now smudged by the sheets of rain, of this garden that was started in 1859 by the British. It wasn't possible, in the blur of water, I kept seeing the dank plantation and tangled virgin rainforests that people got lost in, that stood here once.
It became dark as night that Sunday at the Singapore Botanic Gardens, and suddenly there was no one about and the rain, which started as a sudden silence, and gusts of cold wind that smelled of mud and river and old eternal things, pelted down through the rain trees. We ran into the gazebo with our coffee, snatching our paintings first and the paints after, and bent over, mopping our things with tissue paper, and our paint spotted rags, and laughing and wondering where the others might be, getting wet?- or dry like us? - with our half-drunk after-lunch coffee. Then we settled companionably down to enjoy the thunderstorm and tried to paint in the trees, and the grass and earth, trying to remember the effect of the sun, just a few moments ago. D leaned over and using the corner of his T-shirt sleeve wiped a smear of oil paint from my lip. He smelt loamy like the rain, like the roots of plant freshly pulled from the earth. We tried to imagine the details of the landscape, now smudged by the sheets of rain, of this garden that was started in 1859 by the British. It wasn't possible, in the blur of water, I kept seeing the dank plantation and tangled virgin rainforests that people got lost in, that stood here once.
 $6
$6

 All you fashion folk know by now that Jil Sander is back in fashion as creative consultant to Uniqlo. It's been in the works since last June. Ms Sander said she had received “a lot of offers from many companies” since leaving the fashion world, but ended up deciding to try something “completely different”, an interesting choice, don't you think? It's much more intersting news than speculation about Olivier Theyskens's career ups and downs. Despite the ardent endorsement by Anna Wintour (did you read the vehement editor's letter in April's Vogue?), and a fawning following, the undoubtedly talented Mr Theyskens has yet to make a substantial impact in the business. Is he too young? Too fragile? Or simply a quitter? In any case, I've lost interest, and cease to care where he goes next, or if he starts his own label after showing his last collection for Nina Ricci. Level of irrelevance: Maximum.
 All you fashion folk know by now that Jil Sander is back in fashion as creative consultant to Uniqlo. It's been in the works since last June. Ms Sander said she had received “a lot of offers from many companies” since leaving the fashion world, but ended up deciding to try something “completely different”, an interesting choice, don't you think? It's much more intersting news than speculation about Olivier Theyskens's career ups and downs. Despite the ardent endorsement by Anna Wintour (did you read the vehement editor's letter in April's Vogue?), and a fawning following, the undoubtedly talented Mr Theyskens has yet to make a substantial impact in the business. Is he too young? Too fragile? Or simply a quitter? In any case, I've lost interest, and cease to care where he goes next, or if he starts his own label after showing his last collection for Nina Ricci. Level of irrelevance: Maximum.  Why does this even happen? The Guardian reported that Burberry is the most copied designer label, ahead of Gucci, Louis Vuitton and Yves Saint Laurent. In watches, Cartier is the most copied (not Rolex? Strange.) The counterfeiting trade is said to be worth billions globally, that means that there's alot of horrible fake goods floating around.
Why does this even happen? The Guardian reported that Burberry is the most copied designer label, ahead of Gucci, Louis Vuitton and Yves Saint Laurent. In watches, Cartier is the most copied (not Rolex? Strange.) The counterfeiting trade is said to be worth billions globally, that means that there's alot of horrible fake goods floating around.   

 The 80-year-old man entrusted by royalty to watch over Mount Merapi's ("Fire Mountain” in the local language) spirits is going nowhere — and insists the mountain is safe. "There is no risk," Maridjan said outside his home just four miles from the crater, which was billowing ash and searing-hot gas clouds. "I am still waiting here." This is a real-life drama that pits modern science against an ancient culture, played out on the verdant slopes of one of the world’s most active volcanoes. Maridjan, jokes constantly with visitors and occasionally falls into a trancelike state while looking at the peak. He was given the official title of "key holder of Mount Merapi" by the late king of the nearby court city, Jogjakarta.
 The 80-year-old man entrusted by royalty to watch over Mount Merapi's ("Fire Mountain” in the local language) spirits is going nowhere — and insists the mountain is safe. "There is no risk," Maridjan said outside his home just four miles from the crater, which was billowing ash and searing-hot gas clouds. "I am still waiting here." This is a real-life drama that pits modern science against an ancient culture, played out on the verdant slopes of one of the world’s most active volcanoes. Maridjan, jokes constantly with visitors and occasionally falls into a trancelike state while looking at the peak. He was given the official title of "key holder of Mount Merapi" by the late king of the nearby court city, Jogjakarta. 
 



 Besides the scads of printouts I've taken home from the office, of various reports on the fashion week that just ended (thank god!), I'm reading Heart Of Darkness, the Joseph Conrad masterpiece, as well as a collection of shorts by Ernest Hemingway The Snows of Kilimanjaro. Both are rather butch, and I take it as a palette cleanser from the from the fashion overdose. Try it, it's wonderfully tonic. It's like cutting your hair real short after a spell of trying to keep the hair out of your eyes, with waxes and sprays, it feels suddenly light and heady. The picture is of Hemingway reading a letter, but it could very well illustrate something out of Conrad.
Besides the scads of printouts I've taken home from the office, of various reports on the fashion week that just ended (thank god!), I'm reading Heart Of Darkness, the Joseph Conrad masterpiece, as well as a collection of shorts by Ernest Hemingway The Snows of Kilimanjaro. Both are rather butch, and I take it as a palette cleanser from the from the fashion overdose. Try it, it's wonderfully tonic. It's like cutting your hair real short after a spell of trying to keep the hair out of your eyes, with waxes and sprays, it feels suddenly light and heady. The picture is of Hemingway reading a letter, but it could very well illustrate something out of Conrad.




 Lurve it. I think I love it most because this collection has rather mixed reviews and seems a bit of a head-scratcher. I love that Nicolas Ghesquière has done an about-turn away from his coldly 'futurist' fembots, and gone swooningly femme. The glace coloured satins, the print dresses Empress Michiko would wear (Hane Mori anyone?), the voluptuous draping and swags. This is the only hommage YSL needs, deeply thought through, digested, updated. The Ungaro touches are there too, in those Princess Diana dresses. Ravishing.
Lurve it. I think I love it most because this collection has rather mixed reviews and seems a bit of a head-scratcher. I love that Nicolas Ghesquière has done an about-turn away from his coldly 'futurist' fembots, and gone swooningly femme. The glace coloured satins, the print dresses Empress Michiko would wear (Hane Mori anyone?), the voluptuous draping and swags. This is the only hommage YSL needs, deeply thought through, digested, updated. The Ungaro touches are there too, in those Princess Diana dresses. Ravishing.