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The just-concluded
New York Fashion Week (Amen!) unveiled some very patchy collections. Very
copy and paste, I mean. And I'm not talking patchwork here, even though there was a lot of patchwork going on. Designers of every strata got busy clicking and pasting. Most unapologetically,
Marc Jacobs paid an obvious tribute to
Yves Saint Laurent,
Halston, and
Sonia Rykiel, with bales of
Missoni’s signature patterned knits thrown in (pictured). So literal was this 'copying' even his champions like
Cathy Horyn and
Suzy Menkes scrambled for polite metaphors to defend his 'work' (this was fun to read, I must say). We can just about forget about objective fashion reporting. No such thing.
Jack McCollough and
Lazaro Hernandez of
Proenza Schouler (can you imagine having to type this long list of names? Some one spell check this!) was 'inspired' by
Prada and
Chanel, right? And further down (much further down) the food chain,
Marchesa a patchwork of the
Dior’s greatest hits by
John Galliano. There's much more. And if I'm very good, I shall put it up although I shudder at the thought of having to trawl through those pictures again. Today’s “copy and paste” click click click culture, enabled by the readily available fashion archive on the internet, the readiness and abundance of information, engenders a new generation of lazy, uninspired fashion practitioners.
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Instead of leading to design breakthroughs and originality, the fashion information overload, the endless and immediate availability of this and every other fashion collection simply leads to a fashion maze where every tired idea is recycled in ever quicker succession. Endlessly. It makes for mind-numbing, brain dead fashion that is New Yuck Fashion Week. It's thankfully over.
(A much longer version of this rant will be in Saturday's
Business Times)
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