





Because I'm reading the Isabella Blow bio Isabella Blow: A Life in Fashion, I've decided to dip into Jane Austen's spoof of the gothic novel Northanger Abbey. The latter sparkles with wit and light compared to the bio, which has the fascination of a car crash. A fashion icon right up to the end, Mrs Blow's life seem destined for tragedy right from the beginning. The bio by Lauren Goldstein Crowe is sympathetic, inspite of the monsters and gargoyles of its story - as A said about A Line of Beauty (Alan Hollinghurst) "all the characters are aweful and repellant". I had skimmed through Blow by Blow previously, by Detmar Blow, and I think A Life in Fashion is the better book, with more emotional distance, and obviously researched by a professional writer. This is a fast and easy read, like a book-length article from a glossy, focusing equally on her work in fashion world as on her personal life and her obsessions with property, the aristocracy, sex and the gothic aesthetic.
From Northanger Abbey:
Fashion's own Russian Cinderella Natalia Vodianova, 29, confirmed her split from billionaire Justin Portman, 41, after nine years of marriage in June. The new boyfriend is none other than the son of billionaire and LVMH head Bernard Arnault, the richest man in France, 34-year-old Antoine Arnault. Arnault Jr (below) — serves as head of marketing and communications at Louis Vuitton is also the managing director of Berluti. Ms Vodianova has three children with Mr Portman: Lucas, nine; Neva, five and Viktor, three, which amounts to quite a lot of rubles in child support.
Jane Austen's original manuscript of the unfinished novel The Watsons has sold for over £990,000 although it was valued for no more than £300,000. The Bodleian Library in Oxford has purchased this rare item, the only surviving original manuscript of any of Jane Austen's novels. The manuscript descended from Jane Austen’s sister Cassandra to her niece Caroline Mary Craven Austen (1805-1880), the younger daughter of their eldest brother James. It was in Caroline’s possession when first published in 1871 by her brother James Edward Austen-Leigh. The draft of this unfinished novel is not complete. The Morgan Library in New York owns 12 pages of the manuscript. A few of its pages were lost by The University of London. The manuscript is remarkable in that it is a working draft, with crossings out, ink splotches, and many changes inserted into the lines and spacings.
Princess Charlotte Casiraghi of Monaco in Vogue Paris. The 25-year-old grand daughter of Grace Kelly shows off her fabulous genes on the cover of Vogue Paris's September issue, captured by the inevitable Mario Testino. This is not without precedent: Her mother, Princess Caroline, has been on the cover of Vogue Paris quite a few times.
(Above) Oct 1977, Norman Parkinson
Dec/Jan 1983, Andy Warhol
March 1979, Cecil Beaton
Princess Grace Kelly's Vogue cover, December 1971, Richard Avedon
Vogue UK, March, 1972


When I blogged about the old BBC series Edward and Mrs Simpson a good two weeks ago, I had no idea that Madonna was making a directorial debut of this very subject. Subsequently, I saw these lush preview pictures (below) in Vanity Fair. It does look promising, even if one rather doubts Madonna doing anything without a very heavy hand!
Madonna's at the prow with her directorial debut feature, W.E. The first look pictures of the £18million drama, which stars Andrea Riseborough (too pretty! Wallis is supposed to be a man!) as Wallis Simpson, and the film looks beautiful, and carefully styled. The movie also stars Abbie Cornish and James Fox, and is described as a two-tier romantic drama, looking at both the affair between King Edward VIII and Mrs Simpson, and the modern relationship between a Russian security guard and a married woman. Madonna said: "W.E. is about the nature of true love, and the sacrifices and compromises that are often made. I've wanted to tell this story for a very long time, and bringing it to life has been a great adventure for me."



The real deal (below).
... And CUT!!! This is a rare picture of Madonna without her knees wide open for once - as director on the set.
The September Issue went to Kate! On the Vogue cover, she wears an Alexander McQueen gown, promising an exclusive story and pictures on her wedding (by Mario Testino too, like royalty); Hamish Bowles sits us down with the all-time iconic model:



I was wondering why Freja was on the cover of British Vogue - they traditionally put Kate on their September issue - and now I know why.